CHANGELING by Philippa Gregory is released this week and I think you should all get your hands on a copy soon! Today you can read the Q & A with Philippa Gregory thanks to Simon & Schuster UK. I'm planning to post a giveaway together with my review sometime this week, so be excited for that;)
Dark myths, medieval secrets, intrigue, and romance populate the pages of the first-ever teen series from #1 bestselling author of The Other Boleyn GirlItaly, 1453. Seventeen-year-old Luca Vero is brilliant, gorgeous—and accused of heresy. Cast out of his religious order for using the new science to question old superstitious beliefs, Luca is recruited into a secret sect: The Order of the Dragon, commissioned by Pope Nicholas V to investigate evil and danger in its many forms, and strange occurrences across Europe, in this year—the end of days.
Isolde is a seventeen-year-old girl shut up in a nunnery so she can’t inherit any of her father’s estate. As the nuns walk in their sleep and see strange visions, Isolde is accused of witchcraft—and Luca is sent to investigate her, but finds himself plotting her escape.
Despite their vows, despite themselves, love grows between Luca and Isolde as they travel across Europe with their faithful companions, Freize and Ishraq. The four young people encounter werewolves, alchemists, witches, and death-dancers as they head toward a real-life historical figure who holds the boundaries of Christendom and the secrets of the Order of the Dragon.Summary by Goodreads
Q & A with Philippa Gregory
How was writing a book for teens different from writing a book for adults?
I don't think there is any difference for me in terms of the craft of writing. I think that the quality and enjoyment of the novel should be at least equal to a book for adults.
I created the two principal characters of Luca and Isolde and liked them so much, but then I was amazed to find that the servant character of Frieze just jumped off the page. He is funny and full of common sense, wonderful with animals and has a great loving nature. His role just grew through the story as I came to like writing about him more and more. He is very important in book 2, and I think I will end up with a cast of 4 principal characters rather than 2.
When you are writing a multi-book series, do you work from an outline (know all the beats) or do you work toward an ending (know how it all ends)?
This has been the first series that I have written that is not anchored completely by the historical record, so I have revelled in the freedom of it and have worked on each novel quite independently. I know where the whole series ultimately ends, but I don't know yet how I will get there. It's a truly creative process, I feel as if I am making it up as I go along and loving this.
Why did you set your new teen series in the 15th century?
The date of 1453 is such a key one - people really believed that it was the end of the world. It is this belief that means that Luca has his job in exploring the "end of days" and also means that there are so many manifestations of the supernatural that people report.
How is it working with fictional characters rather than real historical figures?
It has been a real holiday from the demands of accuracy and research. It has set the novelist in me free for the first time in a long time. I love discovering and researching the historical characters, but to be able to create characters from imagination has been a real treat.
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